sholio: Peggy Carter smiling (Avengers-Peggy smile)
I'm still browsing posts on the Magicians finale, but I've had one open in a tab for awhile: this post by [personal profile] seperis. And the reason is because of this:

But there's also this: any hack on earth can write tragedy. Devastating your audience is the easiest thing in the world.

You know what's hard? Blowing their minds with sheer joy. Shock them by giving them what they didn't even know they could want. I think I can count the times on one hand where a show managed that. To get it, you have to work for it.


I just kind of feel like something clicked into place for me, reading that. As a writer, I want to do that; I want to do it so badly. It's true, I think: it's so much harder to surprise!delight your audience than shocking people with a sudden tragedy as so many books, shows, and movies do. Some of the most burned-into-my-brain moments from various things I've loved have been the times it managed to do that to me. The Ben January books did it on several different occasions. I actually squealed out loud with joy at two different points during the Iron Fist season 2 (accidentally turned out to be the series) finale, in both cases because I really didn't expect to get what I wanted and the show delivered it to me EXACTLY. And certain things that Agent Carter did, as a show, that will make me love it forever. And Stranger Things. And others, of course -- more books than TV, I think.

I have always had a profound love for things that convinced me they were going not-my-way and then went exactly my way.

I think it's much rarer in part because it's a much more personal thing than surprising people with tragedy. It's so indelibly tied up with what a reader/viewer actually wants. A shockingly beautiful twist for one person might not work at all for another. So I'm not even entirely sure you can set out to do this. You might just end up doing it by accident.

But it's such a moment of transcendental joy when it happens.

#writergoals
sholio: Two and Three holding guns looking badass (DarkMatter-Two & Three)
Reposting this from the original post on Tumblr in case my Tumblr vanishes, because I want to save this.

--

I stumbled across an interesting post today that described something I’ve always loved (actually many of the things I love the most are basically this) but I never really had a good way to describe it before. The post is here, and it’s talking about “clair” (light/bright) as the opposite of noir, in fiction:

clair as opposed to noir [...] a world where a lot of the characters are good and can be won over by goodness

But clair by itself is not something I’m really that into (the book the post is talking about, Goblin Emperor, I actually found rather dull, probably for that reason -- I wanted more interpersonal conflict, more of an edge). 

What really resonated with me was one of the comments:

I think for me it's a different but related thing that makes or breaks Noir universes -- not so much the kind acts that stand out as relationships in a universe that doesn't reward kindness/decency and stomps on vulnerability. Like, it's almost as if two people or a Found Family band create a miniature Clair pocket universe just between them where they are kind and decent to each other, often within the trappings of the larger Noir universe, and because it's such a contrast to the world at large, that relationship shines all the brighter. 

And I went, YES. THAT. I’m not generally that into “clair” fiction as such -- universes where things are basically Good and people are always decent often end up boring me a little bit. I think I’m innately more drawn to the Star Wars type of fiction than the Star Trek type (I mean, I like both of those things -- Star Trek is the one that actually made much more of an impression on me as a kid -- but as far as the general philosophy of the two universes, and which one resonates harder with me, it’s Star Wars all the way). 

But characters who create little Clair pocket universes in an otherwise uncaring universe -- where the universe itself is at best meaningless and indifferent to human endeavor, and at worst a hostile suck-hole, but the characters themselves manage to forge bonds of optimism and kindness in the middle of all of that (especially if they have to overcome their own innate selfishness and cynicism to do it), and they are loyal to each other even in the face of the universe’s attempts to tear them apart ... I am GONE for that, just totally gone. :D

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Sholio

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