And in writing news
May. 6th, 2019 08:50 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
But there's also this: any hack on earth can write tragedy. Devastating your audience is the easiest thing in the world.
You know what's hard? Blowing their minds with sheer joy. Shock them by giving them what they didn't even know they could want. I think I can count the times on one hand where a show managed that. To get it, you have to work for it.
I just kind of feel like something clicked into place for me, reading that. As a writer, I want to do that; I want to do it so badly. It's true, I think: it's so much harder to surprise!delight your audience than shocking people with a sudden tragedy as so many books, shows, and movies do. Some of the most burned-into-my-brain moments from various things I've loved have been the times it managed to do that to me. The Ben January books did it on several different occasions. I actually squealed out loud with joy at two different points during the Iron Fist season 2 (accidentally turned out to be the series) finale, in both cases because I really didn't expect to get what I wanted and the show delivered it to me EXACTLY. And certain things that Agent Carter did, as a show, that will make me love it forever. And Stranger Things. And others, of course -- more books than TV, I think.
I have always had a profound love for things that convinced me they were going not-my-way and then went exactly my way.
I think it's much rarer in part because it's a much more personal thing than surprising people with tragedy. It's so indelibly tied up with what a reader/viewer actually wants. A shockingly beautiful twist for one person might not work at all for another. So I'm not even entirely sure you can set out to do this. You might just end up doing it by accident.
But it's such a moment of transcendental joy when it happens.
#writergoals