Posted by Athena Scalzi
https://whatever.scalzi.com/2026/05/06/the-big-idea-andrew-dana-hudson/
https://whatever.scalzi.com/?p=60579

While we all know that technically our lives could end at any moment, sometimes that fact can feel far away. Author Andrew Dana Hudson brings that little known fact into the spotlight in his newest novel, Absence. Come along in his Big Idea as you think about what you would be leaving behind if you were to suddenly, mysteriously, become absent.
ANDREW DANA HUDSON:
What if people could disappear at any moment? How would the world adapt?
We were a year into the pandemic, and I was riding my bike, trying to get out of the house I’d kept myself cooped up in since the previous March. I found myself thinking about the weird pseudo-raptures that had shown up in pop culture over the last few years, like the “Thanos Snap” in the Avengers movies, or the “Sudden Departure” in The Leftovers—big supernatural events that impact everyone all at once. Where were the slow, crawling, banal supernatural disasters? Metaphysical catastrophes less like the rapture and more like the pandemic, or climate change: complex, unfolding, uneven, during which people have to go on living their lives despite unprecedented circumstances.
I got home, got off my bike, and wrote what would become the first chapter of my novel Absence. In this world, people are vanishing into thin air—with a loud popping sound—but it isn’t all at once. It’s one by one by one. Sometimes there are spikes, but mostly it’s ambient. It can happen to anyone, any time, which means everyone is wondering when it’s going to happen to them or their loved ones. Some fear it, others ignore it. A few are eager for it, for wherever people go when they pop. There are fakers and scammers and conspiracy theorists. A few tired bureaucrats try their best to manage the situation. We develop new norms and institutions and infrastructure, without ever ceasing to feel that it’s all so strange.
For me, writing this book was a way to process and capture in fiction the looming dread that I’d felt over my shoulder ever since the first COVID lockdowns. It was existential as much as epidemiological. A fear that an invisible force could reach into my life and take away someone whose presence I’d relied on.
Of course, people have always been mortal, fragile. We’re all a heart attack or a car accident or a well-placed meteor away from being out of the picture. But during that first pandemic year, that inherent human fungibility felt much more present in daily life and public spaces. And when people did get sick, they often disappeared, into quarantine or ICU intubation or, in a few places, mass graves. Death became both more and less present in our lives, and that was something I wanted to explore.
So what would you do? How would you live if you or the people you care about might be gone tomorrow, or the next second? And how would we as a society cope if we couldn’t rely on everyone showing up every day to do the jobs that keep all the economic gears turning together?
In Absence, drivers vanishing on the highway cause enough crashes that solo car travel is discouraged, and pilots popping mid-flight have travelers feeling safer on trains. Theater productions need extra understudies. A lot quickly becomes automated. People try to keep an eye on each other, because the worst thing is to disappear without anyone to tell your loved ones you’re gone. Trust in institutions erodes—which we’ve seen happen in our world too, but here is supercharged by the impossible-to-explain nature of this supernatural phenomenon.
When I started, I thought I was writing a short story. Instead, I found this premise just kept on giving me new wrinkles to explore, and so I kept writing, until I had a whole novel with a twisty mystery and a messy X-Files–style romance. And lots of jokes, since as dark as it was, 2020 was the funniest year of my life. Everyone was suddenly online together, riffing about the many absurdities of our new situation and flailing government. I spent half my days in group chats, laughing at bad memes until I cried. Tragedy and farce were all rolled up in one.
It’s always bothered me that we never got vaccine Mardi Gras, a sudden moment in which we could all hug each other and dance together without fear. We just got more unfolding, more arguments, more slow disaster. For me, exploring this big idea and writing this book eventually provided a lot of that catharsis I’d looked forward to.
My initial big idea turned out to have a lot to say about COVID culture and how we’ve been frog-boiled by climate breakdown, but also about how uncertain and contingent life is and has always been. We tell our family and partners we’ll always love them, but often it doesn’t work out that way. We make plans and then throw them to the wind. We think we’re on solid ground, and it turns out to be so much quicksand. That’s just part of being human. Finding meaning and companionship despite all that is the challenge we wake up with every day, each day perhaps the last before something makes us pop.
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https://whatever.scalzi.com/2026/05/06/the-big-idea-andrew-dana-hudson/
https://whatever.scalzi.com/?p=60579