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metametameta on h/c bingo
Haha. So, I just told someone I wasn't going to be posting about this, but the more I thought about it, the more I thought I probably should, especially since there are many, many
hc_bingo cards circulating around my f'list right now, including my own, and I'm sure that I'll be continuing to talk about my card as I work on it.
So, there's a good post here by
damned_colonial about potential pitfalls and problems with writing for h/c_bingo: specifically, being careful not to trivialize people with real-life disabilities and mental-health issues in the process of writing up an h/c fantasy. (Thanks to
rydra_wong for bringing it to my attention.) I'd initially knee-jerked away from getting anywhere near this discussion because I'm no more up for perpetual rounds of "h/c, and everything that is wrong with it" than slash folks enjoy round umpty-gazillion of "women writing slash is creepy and appropriative". However, I found the above-linked post and the ensuing discussion interesting, and respectful of h/c-leaning fen, and there's useful advice in there that I think we probably ought to all be keeping in mind when we work on our cards. Or write h/c in general, for that matter. Among other things (this is largely gleaned from the above-linked post, but also from my own experiences as well):
Do your research, about not just the physical symptoms of whatever you're writing about but also its emotional effects on people's lives. Don't try to "fix" characters by the last page of the story, or cause them to lose agency in their own lives by making another character the catalyst for their physical/emotional healing. Keep in mind that some things can't be "healed" at all, at least not without great difficulty, and maybe better drama (and more compelling h/c!) comes from writing about someone learning to live with a chronic illness or disability (mental or physical) than trying to find a cure. Especially if you're writing a short story about a complicated subject -- which a lot of the h/c_bingo stories are likely to be -- think about what kind of emotional impact you can get from a small snapshot in a very long (even lifelong) recovery process. (This is exactly one of the big ways in which h/c appeals to me: not "I can fix this for you!" but "I know you've had a horrible day; let me sit with you for a while.") And the injured/disabled character can be the comforter as well. (I think this is why the sort of h/c I enjoy most of all is the sort in which everyone is dealing with their own difficult issues in their own ways; it levels the playing field and prevents a sort of unequal comfortee/comforter dynamic.)
In SGA gen fandom, at least, we seem to be largely focused on straightforward and easily-resolved medical issues: getting shot, hypothermia, broken bones and so forth. (Well, speaking as someone who's had broken bones, "easily resolved" compared to, say, cancer or losing a limb.) And aside from putting in the medical research, there's not a whole lot to mess up here. But since the h/c_bingo cards are going to be pushing people out of their comfort areas, it's definitely worth considering that if you're writing about a character dealing with alcoholism, rape or mental illness (to pull three off my own card), it's worth remembering that you probably have readers who are dealing with similar issues in their own lives, and going the extra mile in research and empathy to make your story believable and true to the emotional experiences of people who have dealt with those things.
None of which is to say that it's inherently wrong to fantasize about wild, OTT h/c scenarios with weeping and clinging. *g* It's our gen porn, damn it. But the absolute last thing I'd want is for the h/c_bingo cards and the ensuing stories to be a big slap in the face to people who are seeing them crop up on their f'lists and reading circles. It's a really fine line, with something like h/c -- between embarrassment/shame at your fantasies, and awareness of their real-world impact. Oh, believe me, I know (from both sides, really, since I've also read h/c stories that hit me like a sharp poky thing on one of my sensitive areas, even though I knew the author didn't intend anything of the sort). There's no way that there's not going to be a lot of stories coming out of the challenge that cheapen and trivialize RL disabilities/illness/issues in the name of fantasy, and I ... am actually not convinced that it's such a bad thing, because being able to fantasize is healthy, and sometimes unbelievable fantasies are the place where we work through our own issues with our body image, our disabilities/phobias/insecurities, and our past. But I would also love to see writers using the challenge as an opportunity to learn a little more, and maybe we'd get some really cool, memorable, emotionally compelling stories on recovering from and/or living with disability, trauma or mental illness that we didn't have before.
This is probably a useful place to post a couple of links I have memory'd that might come in handy on writing certain squares:
A User's Guide to PTSD by
rachelmanija is a fantastic (and wrenching) resource for writing about characters who are recovering from many different sorts of trauma.
Dear (not just urban fantasy writers) by
kaigou is not actually about writing h/c at all, but it's one of the best posts I've ever read about getting inside your characters' heads and thinking about all the little, mundane details of their situation that you might not otherwise consider. Though the author is talking about writing vigilante/runaway characters in an urban setting, a lot of the thought processes in creating a realistic picture of that character -- focusing on their everyday life, how they do things, where they get food and shelter, what skills they have and how they learned them -- can come in handy in writing any kind of character, including someone suffering or recovering from physical or emotional trauma. For example, if you're working on a square that says, oh, "loss of limb", how does that change the character's daily routine? Maybe just washing their hair or brushing their teeth is a hassle; maybe your story centers around your character hitting their emotional tipping-over point over something so simple as not being able to brush their hair the way they used to. Stuff like that.
ETA: A very moving post describing what it's like to experience hallucinations and delusions by Kaninchenzero, based on personal experience.
ETA 6-20-10: went to see my doctor only she was crying twice as much as me... by
commodorified talks about being a caregiver while also having disabilities of one's own. Like I just mentioned in the comments below, I feel that this post hits quite a lot of nails on the head in a very useful way.
I'm sure there are a ton of other good resources out there; anything that anyone wants to throw into the comments is very welcome. :)
Ironically, too, I think typing this out has given me ideas for half a dozen squares that had been giving me a total blank.
This entry is also posted at http://friendshipper.dreamwidth.org/258495.html with
comments.
ETA:I notice this has been metafandom'd. I'm going to be traveling this week with very intermittent computer excess, so I've turned on screening of all non-friends comments, just to be on the safe side. This is not an attempt to stifle discussion, but merely to moderate the post since I won't be around very much to do it. I'll unscreen comments whenever I have the opportunity! No longer screening, since I'm now around to moderate comments.
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So, there's a good post here by
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
Do your research, about not just the physical symptoms of whatever you're writing about but also its emotional effects on people's lives. Don't try to "fix" characters by the last page of the story, or cause them to lose agency in their own lives by making another character the catalyst for their physical/emotional healing. Keep in mind that some things can't be "healed" at all, at least not without great difficulty, and maybe better drama (and more compelling h/c!) comes from writing about someone learning to live with a chronic illness or disability (mental or physical) than trying to find a cure. Especially if you're writing a short story about a complicated subject -- which a lot of the h/c_bingo stories are likely to be -- think about what kind of emotional impact you can get from a small snapshot in a very long (even lifelong) recovery process. (This is exactly one of the big ways in which h/c appeals to me: not "I can fix this for you!" but "I know you've had a horrible day; let me sit with you for a while.") And the injured/disabled character can be the comforter as well. (I think this is why the sort of h/c I enjoy most of all is the sort in which everyone is dealing with their own difficult issues in their own ways; it levels the playing field and prevents a sort of unequal comfortee/comforter dynamic.)
In SGA gen fandom, at least, we seem to be largely focused on straightforward and easily-resolved medical issues: getting shot, hypothermia, broken bones and so forth. (Well, speaking as someone who's had broken bones, "easily resolved" compared to, say, cancer or losing a limb.) And aside from putting in the medical research, there's not a whole lot to mess up here. But since the h/c_bingo cards are going to be pushing people out of their comfort areas, it's definitely worth considering that if you're writing about a character dealing with alcoholism, rape or mental illness (to pull three off my own card), it's worth remembering that you probably have readers who are dealing with similar issues in their own lives, and going the extra mile in research and empathy to make your story believable and true to the emotional experiences of people who have dealt with those things.
None of which is to say that it's inherently wrong to fantasize about wild, OTT h/c scenarios with weeping and clinging. *g* It's our gen porn, damn it. But the absolute last thing I'd want is for the h/c_bingo cards and the ensuing stories to be a big slap in the face to people who are seeing them crop up on their f'lists and reading circles. It's a really fine line, with something like h/c -- between embarrassment/shame at your fantasies, and awareness of their real-world impact. Oh, believe me, I know (from both sides, really, since I've also read h/c stories that hit me like a sharp poky thing on one of my sensitive areas, even though I knew the author didn't intend anything of the sort). There's no way that there's not going to be a lot of stories coming out of the challenge that cheapen and trivialize RL disabilities/illness/issues in the name of fantasy, and I ... am actually not convinced that it's such a bad thing, because being able to fantasize is healthy, and sometimes unbelievable fantasies are the place where we work through our own issues with our body image, our disabilities/phobias/insecurities, and our past. But I would also love to see writers using the challenge as an opportunity to learn a little more, and maybe we'd get some really cool, memorable, emotionally compelling stories on recovering from and/or living with disability, trauma or mental illness that we didn't have before.
This is probably a useful place to post a couple of links I have memory'd that might come in handy on writing certain squares:
A User's Guide to PTSD by
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
Dear (not just urban fantasy writers) by
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
ETA: A very moving post describing what it's like to experience hallucinations and delusions by Kaninchenzero, based on personal experience.
ETA 6-20-10: went to see my doctor only she was crying twice as much as me... by
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
I'm sure there are a ton of other good resources out there; anything that anyone wants to throw into the comments is very welcome. :)
Ironically, too, I think typing this out has given me ideas for half a dozen squares that had been giving me a total blank.
This entry is also posted at http://friendshipper.dreamwidth.org/258495.html with
ETA:
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LOL! (glad to hear it too) Woobiefication is one of my kinks ;)
I had a look at that list of h/c cliches while considering whether or not to enter this challenge. Alas, a large number of them are triggering for me, to such an extent that I couldn't possibly enter it! I never even thought for a minute that so many things on that list would upset me, because you're absolutely right - SGA h/c has a heavy lean towards the non-permanent injury fic (at least the stuff I read is!)
I love my happy endings too much, *triumph in all adversity* :D
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It does seem to me that SGA gen fandom leans really heavily towards simple physical trauma: bullets, poisoning, drowning, life-sucking aliens, that sort of thing -- the relatively guilt-free stuff. *g* This is not to say that other sorts of fic don't exist, but one thing about these bingo cards is that there are a great deal of things on there that I've rarely encountered in fic, or that I just know are cliches through rumors and hearsay from other areas of fandom.
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And in the comments this is where
Sitting on my hands right now to keep from wading in, because (for reasons I go into under flock here (http://wneleh.livejournal.com/413442.html), if you're curious) the prospect of picking a fight with a stranger is a lot less offputting than it usually is.
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Its so easy for us when we write any genre, HC especially, to look for the simple way out, especially if we accomplished the HC or angst of the story and we're ready to finish. One of the most common mistakes I see is the "2 page happy ending" where the author spends 99% of a huge story putting the character through huge emotional and/or physical trauma and even angst, only to "make them all better" with the wave of a hand (or 2 pages). In reality, they're not all better. (if they even survived the physical injuries imposed on them, but that's another discussion.. ;) ) There are after affects to severe emotional/physical trauma. PTSD, other emotional/mental fallout, and physically, it isn't all better in 2 paragraphs, unless you're fast forwarding weeks or months down the road. ;) This was a dominant one I saw in more medically based fandoms. Ugh. Do your research! ;) But in any fandom, especially in HC and angst, one has to be very careful.
That's not to say that some "happy" aspects can't occur soon after the "rescue" and when they're "safe" again, but what has happened has to be kept in mind.
I have some tough ones on my bingo card (Domestic violence being one of them, that's one I'll have to exercise a delicate touch on for sure) and its good to remember to stay grounded in reality especially if we choose to really examine something with far reaching emotional and/or physical implications.
Just my .02. YMMV.
Thanks for the links! Definitely interesting reading! :D
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The temptation to just tie up all the plot threads at the end is definitely a strong one, especially in a shorter story. Actually, I think that might be one of the most difficult things about the stories coming out of h/c bingo, because most of these are probably going to be short-ish stories, which means either over-simplifying the situation or doing a snapshot of a much more complex situation, which is more challenging to write. Add that to the fact that we're all going to be having prompts dangled in front of us for things we've never written before -- and, yeah, I do think caution is in order.
Optimistically, I hope that what happens is that we all have a lot of fun and write a lot of enjoyable stories and also listen to the little voice inside that might say on certain prompts, "Hey, maybe this one hits too close to home to write", or "You know, there's a really fantastic story in here, but it's going to take a lot of research."
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I've always appreciated the respect that Stargate has paid to the military and I think that translates through the fans that also write. Some are military/ex-military and some like me just have the proud history of service in their family.
I think the temptation to tie things up neatly and quickly is a temptation that is just human nature in a lot of ways. I do like your point about the shorter story challenge, and I think its a valid one because you don't have the benefit of setting things up in detail that you would have with a longer story. It took me over 280 K words to put Sheppard into and through PTSD to the point of just getting him on the mend. That's something that you can't do with a short story for sure.
I think people that recognize what they're writing and the possible pitfalls such as oversimplifying the situation itself or the fallout from it, are bound to exercise a bit more caution and have the instincts to say "I'm not sure that's quite right" and then research it. :) I'm doing it now with a heavily military story because a little voice in my head says "Get it right!" ;)
GREAT conversation! I'm loving reading the posts :D
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(here from metafandom, hi!
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When I write any story, HC included, I try to do at least some research ahead of time. I know what the premise is (or in the case of HC the H and the C) but I need to research it, whether its cave survival for John Sheppard being stranded alone, or Avalanche survival, or gunshot wounds to the chest. Whatever it is, there is some research involved before even starting. Of course, twists of plot require more research as I go, but the framework is so important and much easier to write the first time, than to rewrite. ;)
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I always feel better when I know what I'm writing about!
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Yeah - the interesting thing is that the vast majority of what's labeled h/c does nothing for me; it either utterly fails to hit my kinks or actively squicks me. And yet it's also where I find most of what does really work for me like nothing else. It took me a long time to realize there was a name for what I liked, but most of it still isn't my thing. Sort of like reading from the SF and fantasy shelves in the bookstore -- there's a whole lot of it that I either actively dislike or really isn't my thing ... but it's also where I find most (though not all) of what I do like!
I agree with you that canons with a lot of "hurt" lend themselves to h/c-type tags and side stories that slot neatly into canon without requiring the author to spin out a wholly original scenario (with all the attendant problems involved in doing that). I've moved through a number of fandoms in which that was mainly what I wrote, either as a gateway into more complex stories later on, or as my only entry in the fandom because at the end of Episode X, so&so really needed a hug. *g* And most of the other fandoms that seem to be big in h/c circles are those in which the characters' lives lend themselves to being shot, stabbed, blown up or attacked by monsters without really moving outside the bounds of what canon's already done to them ...
One thing we discussed in my journal awhile back -- I'd link, but I can't remember when this was; it was several years ago, before I started using tags much, I think -- is that people who write h/c or h/c-ish stuff seem to be split down the middle between those who go more for the "comfort" side of things, and those who genuinely get off on the "hurt" side. I think it's another thing that's a little baffling to someone who doesn't read in the genre much -- I know it was to me, because once I finally figured out what I like, I'd go looking for fic labeled h/c and find the ones that were chapter after chapter of PAIN, which is utterly not my thing. This isn't to imply that there's something wrong with someone wanting that, of course, but there's such a tremendous range of different stuff that's covered under the loose umbrella of h/c! I got into h/c from a gen direction, and most of my circle of friends who are h/c readers and writers still tend to be gen-mostly or gen-only, which means that literal healing cock isn't even an issue -- there's no cock at all! (Obviously there are fix-it tropes in gen h/c that are every bit as silly ... but it's yet another divide between different flavors of fandom.)
(Hmm, I need a fluffier Saiyuki icon!)
P.S. Sorry about the comment screening; I'm not online much right now, and I was worried -- without cause, as it turned out -- that the comments might get out of hand in my absence. I know it makes discussion a pain. >_>
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Yes! It's like waking up and going, oh, right, there are a bunch of disabled characters in Fullmetal Alchemist, aren't they? And...ooooh.
This isn't to imply that there's something wrong with someone wanting that, of course, but there's such a tremendous range of different stuff that's covered under the loose umbrella of h/c!
Yeah-- and some things I wouldn't put under that umbrella at all other people clearly do. I don't know what I'd characterize my long, rambling series where two characters were sexually abused and sometimes they talk about it and sometimes it doesn't come up and while it would solidly hit a bingo square, I don't know if it's really h/c.
(I have a wide variety of Saiyuki icons for many, many needs.)
No problem on the comment screening-- totally understandable.
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I usually write more on psychological trauma topics rather than physical (or on the psychological cost of the physical injuries). It is always a bit of a balancing act between rounding a story off with a neat and satisfying ending, and recognizing that some of the effects will never go away entirely.
I do think there will be some challenge in addressing the h/c bingo issues in short stories, but I also think that trying to capture a snapshot of a particular h/c in a believable manner will be a good exercise in writing.
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*nods* Yes, this, exactly! I think the h/c bingo prompts bring a special set of challenges because the whole bingo-card concept is geared towards shorter stories -- towards writing a lot of little stories in not very much time. But the prompts are often something that's quite difficult to do in a small amount of space. I think that looking at these stories as snapshots from a larger sequence of events is a useful way to look at them. (Unless you go for total crack, I suppose, which is what I'm considering with some of mine. *g*)
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Every genre has a lot of bad fic to its name, and I'm seeing too many people assume that all H/C fic has the hurt magically healed with a cock or assume that everyone is definitely going to handle their trope poorly and...look, I'm sure there's plenty of bad H/C out there (just as there's plenty of bad gen or bad slash or whatever) but that doesn't describe the H/C fic I read and write and love. And I really don't like the assumption that authors are going to fail before a single thing was written. I *do* agree with the people who point out that there is potential for harm if these topics are handled poorly, and that we should be careful with research, but I think that's true for anything we write, period.
I also just...especially for the bingo, people will be labeling/warning, probably more than with non-bingo fic, because they are indicating which squares they are fulfilling. This means these fics will be labeled/warned so someone with a potential trigger can avoid it. I fail to see the problem in this case - we aren't running around rubbing it in people's faces or forcing them to read it.
I particularly didn't like the chain of comments suggesting that if you use h/c as something cathartic or a healing process, you should keep it locked because it might hurt someone our there. Everything we write has the potential to hurt someone, but also the potential to help. I've had some fic that deal with my issues really help me - and had those people kept them locked out of fear of hurting someone, I wouldn't have gotten that. Plus, dude, does that mean I get to ask people to lock away any comment/fic anywhere that suggests that reboot!Kirk is a good person, given how badly that movie, and particularly that characterization, triggered me?
Anyway, I'm rambling and not thinking straight and I have to run. I just...I don't like the assumption that h/c is a monolithic entity (so much of the types of tropes people are complaining about I've never even encountered) and I don't like the way there are certain things we aren't supposed to write because they might hurt someone - where do we draw the line? Whose potential hurts get that luxury and whose don't? I don't know. I'm probably misreading things and I know I've been mentally spacey this week but...gah. I'm going to stop talking in circles now.
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I think that you put your finger on what frustrates me about these discussions regarding h/c, though, and one of the big reasons I didn't really want to get into this. A lot of the people participating (not here in my journal, thankfully, but elsewhere) seem to be people who don't like h/c, who assume the worst of it and the worst of people writing it, and take it as an opportunity to air their grievances -- "Yes, this is why I hate h/c, because they blah blah blah." I really don't see it being all that different from the way that non-slash people come out of the woodwork every time a round of "slash is appropriative/exploitive" posts go around to talk about all the problems they have with slash and I fear I may have done that in the past, so if you catch me doing it, please smack me. And they're entitled to that opinion! Really, they are! But I find myself going, "but ... but it's not like that."
I am certainly not going to deny that there's absolutely awful h/c out there; there's h/c that's ticked me off, there are tropes that I'd like to see DIAF, there are a lot of tropes that just aren't my cup of tea, and so forth. But there's absolutely awful everything else too (Sturgeon's Law, hi!) and for that matter, every one of those tropes that I dislike so much is someone else's fantasy fodder, someone else's happy place, someone else's catharsis. The fact that so many of us use h/c to work through our own issues means that you never know if that rape story that you decry for being exploitive of rape survivors was actually written by a survivor who wanted to give her character the neat ending that she didn't get herself. And like you, I reacted really badly to that thread about locking away catharsis fic. I'll occasionally complain (under lock or in email) about a particularly egregious example of the author's id on display, but that is in no way to suggest that I think they should pack up their fic and hide it from public view like they're ashamed of it.
Plus, most of the h/c writers I know -- certainly most of the people coming in and commenting -- do think about it and try to be respectful when they write. And, yeah, this is another area where it feels like people coming in from outside the community (inasmuch as there is a community) are trying to tell us how to do what we do without really understanding. Most of the h/c writes I know research the hell out of the stuff they write; most of them have certain topics (mental illness for one person, sexual abuse for another, torture for a third) that they won't write because they don't trust themselves to do justice to it. There are a couple of specific situations I know about where the author gave a character an easy fixit answer because she herself was going through something difficult and traumatic, and "saving" the character was a way of making the story her happy place.
I do think that some topics call for more research and respect than others, and I guess that's what I was trying to get at in the above post -- writing a character who's lost the use of their legs or is suffering domestic abuse isn't the same as writing about someone getting shot, and I hope writers will take that into account, at least a little bit. But I sure as hell don't want to imply that there's something wrong with people for fantasizing about the things that they do.
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*nods* I feel, personally, that each big fannish meta has been less productive and more witch hunt, increasingly so the past year or two. I'm not sure why, or if it's just my reaction and what I have time and mental energy to deal with, but more and more I just want to avoid them. I think also, this is reminding me way too much of the warnings debate I had serious personal issue with last year.
Besides, people were saying that just the existence of the h/c bingo cards was very upsetting to them, either because of actually seeing the squares on the cards or because of their anticipation of the fics that were going to come out of those squares
Yeah. I saw that. And...I just, I think it's ridiculous. Everyone has aspects of fandom they find upsetting. Why is this genre getting picked out in this way when we allow, oh, incest fic to run wild? I'm not trying to blame the victim but if the idea that someone, somewhere might write a story containing X seriously upsets you, I think you have bigger problems. I'm hoping most of it is just exaggeration - because I totally understand being upset about something personal-to-you being handled poorly.
A lot of the people participating (not here in my journal, thankfully, but elsewhere) seem to be people who don't like h/c, who assume the worst of it and the worst of people writing it, and take it as an opportunity to air their grievances -- "Yes, this is why I hate h/c, because they blah blah blah."
YES! Exactly! And maybe because I've always traveled in the less-popuar fannish circles, because I'm not drawn to slash and the type of fic most of fandom rolls around in, and I've seen my genres and favorite characters trashed too many times, but totally painting the entire genre in one way is, honestly, offensive. Hurt/comfort (not with magic healing sex or cock or quick fixes or any of the bad elements they are scared of) is a narrative kink of mine and has been for a long time and all these people suddenly saying that the existence of my narrative kink hurts them? Really? (oh, yes yes with the slash. Um, I'm not the best person to smack you because I'll likely be the person nodding in agreement or possibly writing it myself). Because, yes, as you said, it's not all like that and it's frustrating to have it pointed as such.
And like you, I reacted really badly to that thread about locking away catharsis fic. I'll occasionally complain (under lock or in email) about a particularly egregious example of the author's id on display, but that is in no way to suggest that I think they should pack up their fic and hide it from public view like they're ashamed of it.
Yes! That thread made me so angry. Nobody is saying someone's incest rape fantasy should possibly be posted non-public, but you'd darn well better hide your story about soldiers dealing with PTSD. I think fandom's priorities are sometimes really fucked up. And I don't like being told that I should be ashamed of my literary kinks of the fact that certain stories have helped me deal with some of my issues. Posting it public is just that - available to the public. It doesn't force anyone to read it if they think it would hurt them.
And, YES, most of the h/c writers (and, IMO, the better ones. the ones I'm much more likely to read) do their research and know their limits and approach from respect. Someone said in the comments on the post you linked that that's one of the powers of fandom - the outlet it gives us for exploring all these issues and possibly solutions and what they would mean and lets us fantasize into the "what if" and it lets us share, because what is cathartic for one person to write could be cathartic for someone else to read.
*nods a lot at your last paragraph*
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Nggggh. I'd be lying if I said I hadn't had similar thoughts -- but I think that this is squashing together diverse areas of fandom (and individual fans) in much the same way that frustrates us when "they" do it to "us". That is, incest fic is controversial, and so is kink, and so is RPF and a ton of other things in fandom, depending on which circles you move in. I still see people putting warnings on fic for slash, for het sex, or for not writing the popular pairing. And I think that people who write incest or rape kink are very well aware that it is controversial and that some of fandom is going to look down on them for it. So I don't think it's that h/c is being singled out so much as it's just where the spotlight of fannish scrutiny happens to have turned this time.
Like I said, I do get feeling that way, because I've been struggling very hard not to feel like my own tastes and desires and kinks are under attack (and I'm only succeeding partway *g*). But I don't think it's really true -- or, at least, it's certainly not true across-the-board: that is, there are definitely people out there who dislike h/c, or certain aspects of h/c, and are pretty up-front about it, but it's not all of fandom, and I think there are a lot more people who are saying, "Hey, h/c is fine, but think about what you write a little bit." And at least some of the people from whom the criticism is coming are self-described writers or fans of h/c -- they're not saying "Don't" but just "Be aware."
Thus far it seems that the h/c bingo mods are responding very gracefully to criticism, so I have high hopes for this not blowing up into a major wankstorm.
And, YES, most of the h/c writers (and, IMO, the better ones. the ones I'm much more likely to read) do their research and know their limits and approach from respect.
*nods* I think one of my big sources of frustration in all of this is that while, yes, there is terrible h/c fic in abundance, there is terrible everything fic, and there is quite a lot of awareness among h/c writers of the issues that they're dealing with -- there is a lot of self-awareness, at least in my h/c circles, that I feel like we're not being given credit for. It feels as if the worst is being assumed of us and it feels very unfair.
But! But, but, but. If you look at it from the other side and you're a person who is consistently driven up the wall (or even triggered) by fannish depictions of your (or a loved one's) disability/illness/issues -- I am not sure if it's possible to phrase your objections in a way that people aren't going to hear as "You're telling me what to write." And that's not very fair either. You can't *win*. It's hardly possible to bend over backwards far enough to say "Please be careful when you write [x, y, z]" or even "This depiction of [x, y, z] is inaccurate" in a way that people aren't going to hear as "Your kink is not okay." I think there's at least a little of that going on this time, too -- people saying, "I like h/c, but I'd like it even better if my disability [x] was portrayed more realistically" and other people hearing "It's not okay to include [x] in my comfort fic!" and flipping out a little bit.
I think we're having a lot more of these discussions in fandom because people are getting more comfortable speaking up about things that are making them feel upset, hurt or left out. Fandom does feel very contentious and difficult to navigate at times, but I'm not really sure how much of that is just because I'm being pushed to confront some of my own trouble spots. I am finding that it's often better for me to sit out a lot of the debates, though; I don't know if it's because I've just reached some sort of debate threshhold, or because the nature of the debates is not productive for me right now, or ... I don't know. *flails, and joins you in the corner*
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there are definitely people out there who dislike h/c, or certain aspects of h/c, and are pretty up-front about it, but it's not all of fandom, and I think there are a lot more people who are saying, "Hey, h/c is fine, but think about what you write a little bit." And at least some of the people from whom the criticism is coming are self-described writers or fans of h/c -- they're not saying "Don't" but just "Be aware."
*nods* And for the people in the discussion I've seen saying things which really bothered me, I've seen lots more who I am agreeing with (I'm finding rachelmanjia's input particularly strongly aligned with my thinking, and some of Rydra's comments, and a few others).
I don't feel like people are saying "don't write X" in so many words, but I do think there are a few comments which come very close to that line and you have a very good point about it being impossible to win - when you deal with anything remotely touchy, there's going to be someone who doesn't like how you've handled it. And the best we can do is listen, if they choose to speak up, and try to learn and try to do better.
I also really found it interesting the juxtaposition between viewpoint of the "hurt" character and of the "comforter" and comparison between the view of the helper or not. I think h/c actually provides benefit to both words. Just as it's difficult to be a person dealing with a disability or illness or other problem, it can also be difficult being a caregiver, and seeing perspectives and actions of different characters in either of those roles can help - providing catharsis or inspiration or comfort from either end and for either role. I'm not sure it's necessarily a bad thing, it's just, like everything else, something you need to be careful about.
I think we're having a lot more of these discussions in fandom because people are getting more comfortable speaking up about things that are making them feel upset, hurt or left out. Fandom does feel very contentious and difficult to navigate at times, but I'm not really sure how much of that is just because I'm being pushed to confront some of my own trouble spots. I am finding that it's often better for me to sit out a lot of the debates, though; I don't know if it's because I've just reached some sort of debate threshhold, or because the nature of the debates is not productive for me right now, or ... I don't know. *flails, and joins you in the corner*
*nod nod nod*
It's funny because I feel like with each discussion fandom has, I feel less comfortable speaking up. I mean, a lot of these discussions are very valuable and important and they've helped me examine myself and how I relate to the world and I'm not saying they aren't important. But sometimes I think it can be very difficult to have an opinion that doesn't 100% agree with the party line (and I think I'm still being gunshy from last year's trigger/warning discussion when I had serious problems with the arguments on both sides and felt that, by having non-standard!triggers, I just got to be thrown to the wind). I also, and this isn't meant as "don't get serious business into my pretendy fun games", know that I do use fandom as a sort of Terebithia - a place where I can go and not be real!world!me for a bit and relax and be creative and enjoy the things I enjoy - and when I keep running into the contentious discussions it stops being the escape place for downtime. I need to better control my fannish time to strike a more happy balance, and I haven't found that line yet.
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I just don't like people maligning an entire genre because it has the potential to be problematic, and it's especially annoying when the genre they are maligning happens to be a pretty strong narrative kink for me. And trying to shame me away from liking it...is really not okay.
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Yep, this is totally me lol. I almost explicitly write stuff like this, very cut and dry issues with pretty simple resolutions. I don't know, for me, the more emotional stuff, PTSD, depression, etc., it is a daunting thing to write and I don't think I'd do it justice. And personally, I prefer the more physical based ailments than the emotional ones, but that's just me.
What is distressing to me more than anything else is the mentality meta seems to be running toward recently which is talking about all the stuff that it's wrong to write. I don't think there should be *anything* taboo to write about. If people want to press writers to do their research, that's fine. But saying that a subject matter is inherently wrong bugs the hell out of me. I'm newer to meta, but I've now read through most of RaceFail and most of the other blow outs. There's the "don't write gay men relationships if you're not a gay man because you mess it up" posts I love. And now we are getting the "don't write disability fics if you're not disabled" mentality with the meta I'm seeing for h/c bingo.
This idea, that we can't write it if we haven't lived it, is wrong. It is trying to draw a neat little box around the fandom and say "this is what you can write." Which makes no sense, when you think about it. Does that mean if we haven't been to another galaxy we can't imagine what it would be like? Does it mean that if we don't have a penis we can't write male characters?
I get that stories can be triggering, but every story has the potential to do that for someone. I am not going to pull my punches because of a fear that it might hurt someone. It happens in the fandom, I've read fics which have left me feeling deeply violated after the fact, and it shakes me hard when it happens. The author didn't do it intentionally, and there are people out there that want to read this type of fic. That, in it's own right, means that people can write whatever they want. Realistic or not.
If people want to write about the magical healing of cock, fine with me. This is fiction, it's fantasy, and everything has the potential to trigger someone on something. We also have a freedom of speech, which is the ability to write what we want as we want to write it. I admit that I have favorite stories with unrealistic endings, and I am not ashamed of this fact. And to tell the author that the magical "healing in two pages" is wrong, isn't ok with me. Fandom *is* fiction. It is the opposite of reality and I don't think that any author should be limited to writing by the confines of reality. If it's ok for writers to come up with a magical device to heal a person of a life-changing physical ailment, then it's perfectly ok by me that a writer wants to write in a fictional world about a fictional way that maybe there is a quick fix for a problem that would be deep-seated psychological trauma in real life.
I am happy to write warnings, that the medicine in my fics is not limited by the rules of our real-life medicine, but I am not willing to sit back and have people tell me that I have to limit myself to the confines of reality. It kind of defeats the purpose of fantasy, doesn't it?
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I really don't think I've seen this -- mostly what I'm seeing is a call for taking care when we write about disabilities and mental illness and that sort of thing, so as not to inadvertently hurt people. I think never upsetting any reader is an unrealistic goal; however, I don't think it's at all unreasonable to make a call for a little more circumspection when we know that we're dealing with potentially upsetting subjects (like mental illness, or rape, or domestic abuse). Which is pretty much what you said -- some topics are more daunting than others, and I think that just being aware of that, and taking it into account when you write, is most of the battle right there.
Having said that, though, in some cases I do think this debate (not here in my LJ, but considering some of the comments I've seen elsewhere) is in danger of leaning rather heavily into "your fantasy is not okay" territory, and I'm not cool with that. I'm not saying everyone's doing it, or even that most people are doing it, but I've definitely got that feeling from some of the comments at other posts, and that's why I said what I said above -- I don't think our fantasies are something to be ashamed of, and no one gets to dictate for someone else what's a healthy, healing, affirming fantasy for them.
I do think we ought to be aware, when we write, of the issues and potential problems surrounding certain popular tropes and idioms (especially convenient disabilities and magic fixes for them). However, no two people are going to react the same, right? One person with condition [x] might totally avoid stories with any hint of it; another person might seek out stories about it, but utterly loathe quick-fix endings; another person might enjoy the fantasy of a magical healing device. I struggle with the quick-fix endings personally, because they don't satisfy me -- they frustrate me. But I know of at least a couple of stories where the writer wrote that sort of ending because she was working through issues in her own life, and needed to give the character a certain kind of ending in order to deal with her own situation. And I haven't got any moral authority to tell her that she shouldn't do that (nor do I want to).
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I had that before. Now that you've written it, I can look back on it for what it was.
Like everything in fandom, some people like some things, some like other things. It's all personal preference and opinion. Even within h/c fic there are 4 different types of story and combinations of them. Those who prefer more hurt (physical or mental) and those who like more comfort (physical or mental) I'm a physical hurter, that's just how I roll :) I wrote a meta-style fic (http://www.fanfiction.net/s/5072262/1/Whump_Tis_Better_Than_Porn) about it a while ago. I also did a short study using a thread on the GateWorld forum too. I'll find the link when GW's working again.
But it's still not very nice when someone say your preference is something squicky and to be ashamed about, even if it's covered in acronyms (YMMV/YKINMK) It's a fine line we h/c peeps tread...
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(Either that or I really haven't had enough coffee yet.)
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Thank you!
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My thoughts, I hope more coherently
1,500 words of grumble.
- Helen
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http://hollow-echos.livejournal.com/192140.html?format=light
for the full round up see here:
http://delicious.com/metafandom/h%2Fc
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Now that I've re-read it ... hmm. I think that your post does a very good job of articulating why you read and write h/c, and how and why it affects you -- and this is something that's definitely pertinent to the discussion (and just interesting to me in general, because there's such a huge range of reasons why people read this stuff, and what we all get out of it!).
But I think you're really going out on a limb to go ahead and generalize to the whole h/c community. I'm not saying you're wrong, just that what you're describing, while I'm sure it's totally true of your own experience, isn't the way that my own experiences in h/c fandom have gone. For one thing, I know there are a lot of people for whom the "hurt" is their main reason to play in the genre. I hosted a discussion a few years ago asking whether people were more interested in the "h" or the "c" and on my flist, at least, it seemed to be roughly split between people who indulge their fantasy aspects in the "hurt" side and people who are in it for the comfort. I remember the same being true in SG-1 fandom back when I was active in that -- possibly more so than in SGA (it was SG-1 fans who coined the term "whumping" in the first place, to describe all the stories that put Daniel through all manner of lovingly described tortures!). It's the comfort part that does it for me, but I was really interested to find that this is not true of a great many others.
And I really stumbled at this part:
Most readers in this genre don’t care about medical realism, they care about the comfort aspect of the fic. Writers respond to this sentiment by skimming over the research phase of writing a good, realistic hurt and skip to the exaggerated comforting. This is what most readers respond to and so a writer will often spend much more time carefully tailoring a heartfelt comforting moment between two characters.
This certainly is true of at least some readers and writers. However, while I'm aware that my point of view is skewed because I tend to fall more on the stickler-for-research end of things myself, I'm not at all comfortable having this generalization made about the whole h/c community. Again, I just have my own little corner of the fandom to work from, but authenticity and realism are important to most of the h/c fans that I know. There are resources like
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First, yeah, words have power, and anything out there has the potential both to help or harm someone - and sometimes it's the same story!
I don't think we should even try to tell people what or how to write, other than what's been mentioned above - be careful, be sure you know what you're doing (be intentional about it), and warn, warn, warn people.
The funny thing about the internet is that for all anyone knows, some of those "bad h/c" stories could very well be written by someone who suffers from the very condition described. Who's to say a paraplegic wouldn't write a story about someone getting a miraculous cure for their severed spine and getting to walk again? Who's to say what might be helpful or appealing to them?
Heck, even when writing about our own conditions someone with the same condition could come along and say, "That's not realistic! That's not what I experience at all!"
For me, I think the bottom line is that there is such a huge variety of hurts, and no two are exactly alike. Even the same hurt will be experienced differently by different people. And no two people are going to have the same reaction to something. What triggers one person might be exactly what someone else needed to read.
I think it boils down to warnings. If you're going to write about hurt, just put up a warning so that if someone might find that triggery, they'll know to avoid it. I think as adults, we all need to be responsible for our own triggers.
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*nods vigorously* I agree with everything you're saying in your comment, and especially this part: I think you've actually got everything that the conscientious h/c writer needs in their toolbox right here! (Though I'd also add "research" to this list, especially if you're writing about a condition that you -- generic "you", not you specifically -- haven't personally experienced, even if you're not aiming for total realism. Doing research can at least let you know of some of the biggest pitfalls to avoid, even if you don't plan on making your story perfectly reality-compliant!)
Like you said, there is really no way to tell the difference between someone using alcoholism or suicidal depression or spinal injuries as a shortcut to fantasy gratification ... and someone who actually suffers from those conditions working out their issues through fantasy. And going around asking for each other's credentials is a loser's game.
At the same time, though, I do think we need to have at least enough self-awareness to *know* if we're trying to write self-gratifying fantasy or a realistic portrayal of [x] disability, and enough empathy to be able to tell ourselves, "You know, Self, this particular fantasy might need some reworking before it's ready for public consumption."
So, like you said -- tread carefully, know what effect you're going for, and warn copiously!
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