Entry tags:
Miscellaneous SGA squee
EEEEEEE!
naye! Check out Mallozzi's blog today, with the cut scenes from Reunion! Some of my fanon is actually the writers' as well!
Ronon as an artist is canon! Except they cut the scene for length. Oh, I wish they hadn't!
"Oh, Ronon was quite the artist in his younger days: sculpting, sketching, writing poetry - "
Squeeeeee! See, he's always been an artist in my head! I wish they'd put that in, 'cause then it would be real canon rather than sort-of not-quite canon! But still ... maybe they'll allude to it in a future episode.
And it's also too bad that they cut the explanations for the various Satedan stuff in his room. But cool to know that the writers were thinking about it.
Other squeefulness is provided by
derry667, whose write-up on the Melbourne con includes the following tidbit from Joe Flanigan's panel:
Joe Flanigan was asked the question whether any of the scripts took his character to places that he didn't want to go and he answered that it wasn't so much specific actions or plots that they'd ever tried to give Sheppard, but he did often "fight them" when they decided that they to make his character "more earnest". Apparently, some of TPTB have told him that because he's the hero, he has to show that he "cares" more obviously. His argument is that he thinks that it's more powerful when you see a character fighting against showing that he cares and holding back emotion. He thinks that has a lot more resonance. He said "it's the difference between things having just one level and having two levels." That it's more powerful, especially with guys, seeing them fighting NOT to show any emotion than to just see them cry.
Squeeee! As some of you know, I really love the subtle friendship stuff, but I second-guess myself a lot, wondering if it's really there or if I'm just reading into the relationship what I want to see there. But it really is there, and I love that Flanigan is that invested with his character, that he thinks about those sorts of things and pushes for the kind of behavior that he wants to see from Sheppard, in keeping with the way he plays him.
And combine that with the following from Mallozzi's blog yesterday:
In the original version, as McKay is being escorted out [of the Wraith cell], Teyla tries to hearten him with: “Stay strong, Rodney.” to which an obviously unnerved McKay replies: “I’ll try.” In the original draft, Sheppard calls after him: “Try harder!” But we ended up losing the line because Sheppard is unconscious at this point. Originally, I felt that the fact the wraith had their stunners trained on Sheppard would be enough to keep him in line but Joe felt Sheppard would resist regardless - so we had him zatted instead.
This is just awesomeness x2, because obviously Flanigan really does play Sheppard as a guy who feels a lot under the surface, and cares a lot more than he lets on -- a guy who wouldn't just stand by and let the Wraith drag his friend away, but has to be stunned to keep him from fighting back. And I love how he pushes TPTB for that interpretation of the character, and steers them back when they get off course.
Also, I need to pimp
naye's episode write-ups again, this time for Reunion. Screencaps and squee! I'm just rolling in the SGA-love this week. I've had a long, stressful, generally kind of terrible week at work (not specifically awful, in the sense of interpersonal problems or anything; just way too much work for the number of people that we have to do it) and having new SGA to look forward to ... it was just a nice way to end a lousy week, let me tell you.
On a slightly different note, though -- I've noticed that my personal stress seems to be manifesting itself as being kind of snappy and knee-jerk-ish online ... so if I've posted an opinionated or harsh comment in your blog lately, um, I'm sorry? My verbal, brain-to-keyboard filter hasn't been working all that well lately, so I hope I haven't annoyed anyone by jumping into discussions on topics that get me agitated.
Ronon as an artist is canon! Except they cut the scene for length. Oh, I wish they hadn't!
"Oh, Ronon was quite the artist in his younger days: sculpting, sketching, writing poetry - "
Squeeeeee! See, he's always been an artist in my head! I wish they'd put that in, 'cause then it would be real canon rather than sort-of not-quite canon! But still ... maybe they'll allude to it in a future episode.
And it's also too bad that they cut the explanations for the various Satedan stuff in his room. But cool to know that the writers were thinking about it.
Other squeefulness is provided by
Joe Flanigan was asked the question whether any of the scripts took his character to places that he didn't want to go and he answered that it wasn't so much specific actions or plots that they'd ever tried to give Sheppard, but he did often "fight them" when they decided that they to make his character "more earnest". Apparently, some of TPTB have told him that because he's the hero, he has to show that he "cares" more obviously. His argument is that he thinks that it's more powerful when you see a character fighting against showing that he cares and holding back emotion. He thinks that has a lot more resonance. He said "it's the difference between things having just one level and having two levels." That it's more powerful, especially with guys, seeing them fighting NOT to show any emotion than to just see them cry.
Squeeee! As some of you know, I really love the subtle friendship stuff, but I second-guess myself a lot, wondering if it's really there or if I'm just reading into the relationship what I want to see there. But it really is there, and I love that Flanigan is that invested with his character, that he thinks about those sorts of things and pushes for the kind of behavior that he wants to see from Sheppard, in keeping with the way he plays him.
And combine that with the following from Mallozzi's blog yesterday:
In the original version, as McKay is being escorted out [of the Wraith cell], Teyla tries to hearten him with: “Stay strong, Rodney.” to which an obviously unnerved McKay replies: “I’ll try.” In the original draft, Sheppard calls after him: “Try harder!” But we ended up losing the line because Sheppard is unconscious at this point. Originally, I felt that the fact the wraith had their stunners trained on Sheppard would be enough to keep him in line but Joe felt Sheppard would resist regardless - so we had him zatted instead.
This is just awesomeness x2, because obviously Flanigan really does play Sheppard as a guy who feels a lot under the surface, and cares a lot more than he lets on -- a guy who wouldn't just stand by and let the Wraith drag his friend away, but has to be stunned to keep him from fighting back. And I love how he pushes TPTB for that interpretation of the character, and steers them back when they get off course.
Also, I need to pimp
On a slightly different note, though -- I've noticed that my personal stress seems to be manifesting itself as being kind of snappy and knee-jerk-ish online ... so if I've posted an opinionated or harsh comment in your blog lately, um, I'm sorry? My verbal, brain-to-keyboard filter hasn't been working all that well lately, so I hope I haven't annoyed anyone by jumping into discussions on topics that get me agitated.

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Yeah, Derry's tidbit on Joe and his spin on Sheppard was insightful and interesting. I like how he does take a handle on his character and doesn't just blithely go along with what they write but has input.
Um, haven't noticed any opinionated or snappy posts from you. Most of the snappy people seem to be over at the GW threads nowadays ;)
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And I'm glad I haven't come across as a bitch online lately ... I've certainly been feeling like it in real life. *g*
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I saw that about Ronon and all I could think was "
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I'm just glad he wasn't the one to have painted that hideous painting! LOL! NT said it looked like something that would have been airbrushed on the side of a van, and I couldn't stop laughing.
If he does this for all the eps, I'm going to be in SGA heaven, seriously. I LOVE this kind of stuff. It just makes it so much richer, don't you think?
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Mallozzi and Mullie wrote this ep, so I suspect we're only going to get this for the eps they penned.
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Anyway, I don't know about that. Given that they are the bosses and also have input into the stories they could add it if they wanted to. Not to mention the other writers might put it in as a way of getting on the bosses good side.
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I love, love, LOVE that icon! You really need a Rodney "ooh zing!" icon to go with it though. What wonderful moments we would have missed if they hadn't sent Ford to the dark side....
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If it IS supposed to be Satedan, I am amused by the idea that in Satedan culture, the height of fine art resembles something that would be found on a 1980s fantasy calendar, and what that says about the Satedan cultural aesthetic.
I'm totally with you on the love for the behind-the-scenes stuff. I do hope we get more of this!
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Hmmm...(I'm steepling my fingers in contemplation)
You made my night, Sholio! I needed a good laugh!
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And it's a really interesting question, because, does merely implying that a character may have had a gay relationship in the past automatically place it in the slash category even if the story itself has nothing to do with that?
Precisely my conundrum. I mean, most stories are obviously slash, or not slash ... but I got to wondering what makes 'em that way, and if simply having an implied male/male relationship in the story somewhere automatically makes it "slash". Or what if you just mention that a character is gay, or *might* be attracted to the same sex? I suppose I was curious how much of gen fans' objection to slash is the not-canon thing, or the gay thing ... and I wanted to play with that a little bit. If I write a story in which all the characters are talking about their first sexual experiences, and Ronon's happens to be with a guy, by cultural tradition and not sexual orientation ... does that alter the story in a way that it *doesn't* to have John telling them about making out with a girl? My inquiring mind wanted to know, but obviously not THAT much. Actually, I'd forgotten about that story until this discussion...
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In the meantime? Those tidbits of background information are wonderful, adding so much depth.
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... and yes, I love this background stuff! The behind-the-scenes glimpses can be a double-edged sword at times, but generally in the SGA-verse it seems like the writers' vision for the characters is similar enough to my own that it doesn't unpleasantly jar me out of the fantasy. This isn't always the case.
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I'm also glad Joe got to play it his way, because Sheppard's line was rather mean. Sometimes the writers go too far to try and be funny.
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And Joe Flanigan! Is protective of Sheppard! Awww. ♥ I loved that he was the one to insist on John being stunned by the Wraith when they came for Rodney, of course, but the whole thing with how he's usually making his acting choices - it's so very perfect, and so very Sheppard, and I'm so happy to see the characters in such good hands. ♥ Not that I didn't love him before, but it's cool to know this is all quite intended - and of course I agree that, yes, this way is much more interesting. It's what makes those moments when John loses some of that control over his emotions pack that much more of a punch!
Plus - you're sending people to my squee! Eeee~! *blushes* Thank you. ♥
Off to read Mallozzi's latest entry now!
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Side effect of reading Mallozzi's blog on this episode: I watched Reunion last night with my husband, and every time the Wraith scientist showed up, I kept thinking about Mallozzi's comment about the awful white wig and "Grandma Wraith" -- I kept giggling and I think my husband thought I was nuts. *g*
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And I just love how invested the actors are in their characters! I think Joe Flanigan is maybe more so than any of them; I know that he pitches a lot of story ideas to the writers for Sheppard, and a lot of the things in Sheppard's quarters are things that he's suggested. (Apparently in season 1, he wanted fuzzy dice in the puddlejumper but TPTB shot him down on that one!) It really adds a wonderful level of depth to the show when the actors are really getting into it like that.
Oh, I SO hope the show gets renewed for a season 5 ... I think that I'd feel not only bad for us fans, but also for the cast, if it didn't.
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And the actors! Yes, it's really fantastic. ♥ I mean, it might be that all actors in all shows care this much for their characters, but it really doesn't feel that way to me... Some shows are too heavily reliant on a pre-structured plot, and others just never get to that level of intimacy that we actually have with the main SGA characters. But - it's so nice to see all of them get involved with the development and presentation of their characters. (Hee! Fuzzy dice in the jumper would've been incredibly funny, but probably HELL on the special effects and matching up shots and such, so - maybe he can have fuzzy dice on something else, later? *g*) And I do think you can tell from the result that it's a labour of love and care and lots of individual thought and effort.
...meep. Just thinking about the possibility of not getting renewed is making me all kinds of unhappy. I'm keeping my fingers crossed, since it's all I can do from here, but I will say this - neither the show, nor the fans, nor any of the people involved in making it deserve a cancellation at this point!
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And it's also too bad that they cut the explanations for the various Satedan stuff in his room. But cool to know that the writers were thinking about it.
I had assumed that Ronon hadn't gone back to Sateda after "Runner" and before "Sateda" - but the idea that he did makes more sense than my assumption. And the fact that he did bring back things, that he was not willing to forget his past, is a great contrast to his friends and their "new life" with the Wraith.
I was also sad that the mention of the "welcome back" party never made it in. I mean it's logical that they have parties, but we never hear about them or get invited! No fair!
Yay to the Mallozzi for doing this.
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Glad we lost that Sheppard line, it would have seemed a bit harsh - and it makes a lot more sense for him to be stunned trying to protect a team member...
I love that Joe M's done this for us. It's great to see what was meant to be, even if it's frustrating on one level that certain ideas/lines didn't make it to canon. (Like Ronon the artist, the welcome back party, the line that I love from McKay: “Still, I'm one of those equal opportunity fearers.” which I mentioned in my reply to your previous Reunion squee...)
I like that Joe F isn't worried about giving suggestions to make his character stay inline. I agree about the two levels thingie...I like that Sheppard has problems letting people know he cares...it's just so right for him! (And Rodney's not that much better, either!!) It's also nice to see a few scenes where he tries to overcome that a bit (eg *that* scene in Sateda). The way in this ep that Sheppard says stuff to Ronon (about him leaving, the mess hall scene) by not saying it...LOL! So John!
Still squeeing over the first four episodes (yes, slap wrist, I saw the fourth one online...Of course, I know have to wait about *two weeks* for a new episode to turn up!)
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