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Seven Citadels by Geraldine Harris
This is an epic fantasy series mentioned recently at
yhlee's journal. I had never heard of it, but it sounded interesting and is all on Kindle, so I picked up the first one to see whether I'd like it, and uhhhh tore through all four of them in about a week. They're excellent!
There are four books:
Prince of the Godborn
The Children of the Wind
The Dead Kingdom
The Seventh Gate
To me it had a lot of the feeling of the parts of Narnia I liked best - a journey of discovery through a series of strange and magical lands, with something new around every corner. The protagonists (initially a spoiled, selfish prince and his soldier half-brother who is tasked with guarding him, but they pick up more traveling companions along the way) are collecting a set of magical keys to save their doomed homeland, each of which must be obtained from a magical guardian in a different land - they climb a frozen mountain ruled by an immortal sorceress, have to navigate a magical labyrinth, sail a riverboat through a swamp full of giant serpents, and so forth.
This could easily feel very Plot Token-ish, but it really doesn't, between the underlying darker aspects of the world and the characters' ongoing, evolving relationships and personalities.
It's also a lot more multicultural than I expect from fantasy of the era; actually, I didn't realize it was from the early 80s until looking at the copyright dates. I would have said mid-90s to early 2000s. The characters' homeland is a sort of Ancient Egypt analog, with a divine royal family heavily engaged in backstabbing, and most of the parts of the world they visit are generally Mediterranean-flavored with some Central Asia detours. But none of it is in a heavy-handed "This is a clear stand-in for this specific country" kind of way. It all feels very much itself, and the different cultures of the places they visit have a variety of interesting, appealing, and repressive aspects that make them feel real. I particularly liked that the protagonists aren't trying to save their homeland because it is uniquely just or perfect - it's a flawed, socially stratified theocracy run by self-proclaimed divine rulers who are mostly backstabbing assholes. But that doesn't matter; they're trying to save it because it's home.
The feeling of the series overall is deeply mythic. It makes me think of the kind of fairy tale where stepsisters dance in iron shoes until they fall down dead. I'm really surprised these books aren't better known, because I found it incredibly engaging and would often tear through each book until 2 or 3 in the morning. The series was sad enough that I'm not sure if I'll want to read it again anytime soon, but I'm glad I did; it's that cathartic, resonant kind of sadness that happens when everything turns out exactly as it should, even if it's not exactly what you'd hope for.
Content note for something animal-related that I know some people bounce off hard: The characters acquire a cute magical pet who travels with them for a while. It dies.
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There are four books:
Prince of the Godborn
The Children of the Wind
The Dead Kingdom
The Seventh Gate
To me it had a lot of the feeling of the parts of Narnia I liked best - a journey of discovery through a series of strange and magical lands, with something new around every corner. The protagonists (initially a spoiled, selfish prince and his soldier half-brother who is tasked with guarding him, but they pick up more traveling companions along the way) are collecting a set of magical keys to save their doomed homeland, each of which must be obtained from a magical guardian in a different land - they climb a frozen mountain ruled by an immortal sorceress, have to navigate a magical labyrinth, sail a riverboat through a swamp full of giant serpents, and so forth.
This could easily feel very Plot Token-ish, but it really doesn't, between the underlying darker aspects of the world and the characters' ongoing, evolving relationships and personalities.
It's also a lot more multicultural than I expect from fantasy of the era; actually, I didn't realize it was from the early 80s until looking at the copyright dates. I would have said mid-90s to early 2000s. The characters' homeland is a sort of Ancient Egypt analog, with a divine royal family heavily engaged in backstabbing, and most of the parts of the world they visit are generally Mediterranean-flavored with some Central Asia detours. But none of it is in a heavy-handed "This is a clear stand-in for this specific country" kind of way. It all feels very much itself, and the different cultures of the places they visit have a variety of interesting, appealing, and repressive aspects that make them feel real. I particularly liked that the protagonists aren't trying to save their homeland because it is uniquely just or perfect - it's a flawed, socially stratified theocracy run by self-proclaimed divine rulers who are mostly backstabbing assholes. But that doesn't matter; they're trying to save it because it's home.
The feeling of the series overall is deeply mythic. It makes me think of the kind of fairy tale where stepsisters dance in iron shoes until they fall down dead. I'm really surprised these books aren't better known, because I found it incredibly engaging and would often tear through each book until 2 or 3 in the morning. The series was sad enough that I'm not sure if I'll want to read it again anytime soon, but I'm glad I did; it's that cathartic, resonant kind of sadness that happens when everything turns out exactly as it should, even if it's not exactly what you'd hope for.
Content note for something animal-related that I know some people bounce off hard: The characters acquire a cute magical pet who travels with them for a while. It dies.
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Possibly also relevant: the author, Geraldine Harris, is an Egyptologist at Oxford.
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I sort of grew resigned to Darrell K. Sweet covers back when his art seemed to be EVERYWHERE - some of his covers were pretty good, some...less so.
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That said, I don't blame anyone for noping out of sad animal deaths! I usually do too.
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BTW, this is the series where Joe started book 1 because I wanted him to read My Favorite Books, got to the bit about the quest for a saviour for Galkis, said to me, [spoiler] is the saviour, right? and refused to read further because he knew how it was going to end. When actually the fact that [spoiler] is the saviour is actually not the point of the books. I think he thought these were really much more "plot coupon quest" than they actually are in execution.
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