Entry tags:
Media things
A couple of days ago, I watched the first episode of Knight Rider on Netflix for nostalgia value/cheesy entertainment, after noticing that it was streaming. If you grew up in the US (or US-adjacent) in the 80s, you almost can't not know about this show, in which David Hasselhoff is consistently upstaged by a talking car; I was head over heels for it when I was about 8.
It is definitely everything I expected based on my hazy childhood memories - "awesome" is not one of these things, but "ridiculous" and "hilarious, although not necessarily in the intended ways" certainly apply.
One thing that has become much funnier with the passage of time and the development of David Hasselhoff into a cornball pop icon is the reactions of everyone in the show to David Hasselhoff's face. So basically, he's played by a different actor at the very beginning, then gets shot in the face and experimental plastic surgery turns him into David Hasselhoff. As it does. This means that you get a "IS THIS ... MY FACE???" scene which is everything you would expect of a BUT MY FACE!!!!! scene played by David Hasselhoff. (I have to say that if experimental plastic surgery turned me into David Hasselhoff, I would also be upset about it.)
The mood whiplash between a guy losing everything and everyone he cares about, getting his face shot off, being presumed dead, and having PTSD about it vs. wacky hijinks with a talking car is certainly a thing. Also, a car that talks and drives itself was highly futuristic in the 80s and is much less so now. However, I was sufficiently entertained that I may watch more of it. I seem to remember a) the first episode is probably as close as the show gets to competently written, and b) there is later h/c with the car and also an episode in which David Hasselhoff plays his evil twin with a mustache.
In further mood whiplash, I continued my intermittent "watch all the Daniel Brühl things" based on the extremely scientific method of observing which movies he appears to be hottest and/or most adorable in, based on Tumblr gifsets, and then watching those. Woman in Gold (2015) appears to score quite highly on the Daniel Brühl Hotness Scale (exhibit A) and he is indeed very hot in this movie, and also very adorable, as his character is extremely sweet, although sadly not in it very much. The actual plot - based on real events - concerns the deeply odd team-up of Helen Mirren and Ryan Reynolds as, respectively, an elderly Jewish woman trying to reclaim art that was stolen by Nazis in WWII, and a family friend who is a lawyer and is helping her. The core friendship between the two of them is very sweet, although it's very weird seeing Ryan Reynolds in a dramatic role, made even weirder because every now and then he slips into campy Ryan Reynolds mode, which is extremely tonally jarring in a movie about the Holocaust. Tatiana Maslany plays a surprisingly convincing young Helen Mirren. It feels Very American in some ways (e.g. everyone speaking English in most of the Austria scenes, though they do have subtitled flashbacks), but I liked it.
It is definitely everything I expected based on my hazy childhood memories - "awesome" is not one of these things, but "ridiculous" and "hilarious, although not necessarily in the intended ways" certainly apply.
One thing that has become much funnier with the passage of time and the development of David Hasselhoff into a cornball pop icon is the reactions of everyone in the show to David Hasselhoff's face. So basically, he's played by a different actor at the very beginning, then gets shot in the face and experimental plastic surgery turns him into David Hasselhoff. As it does. This means that you get a "IS THIS ... MY FACE???" scene which is everything you would expect of a BUT MY FACE!!!!! scene played by David Hasselhoff. (I have to say that if experimental plastic surgery turned me into David Hasselhoff, I would also be upset about it.)
The mood whiplash between a guy losing everything and everyone he cares about, getting his face shot off, being presumed dead, and having PTSD about it vs. wacky hijinks with a talking car is certainly a thing. Also, a car that talks and drives itself was highly futuristic in the 80s and is much less so now. However, I was sufficiently entertained that I may watch more of it. I seem to remember a) the first episode is probably as close as the show gets to competently written, and b) there is later h/c with the car and also an episode in which David Hasselhoff plays his evil twin with a mustache.
In further mood whiplash, I continued my intermittent "watch all the Daniel Brühl things" based on the extremely scientific method of observing which movies he appears to be hottest and/or most adorable in, based on Tumblr gifsets, and then watching those. Woman in Gold (2015) appears to score quite highly on the Daniel Brühl Hotness Scale (exhibit A) and he is indeed very hot in this movie, and also very adorable, as his character is extremely sweet, although sadly not in it very much. The actual plot - based on real events - concerns the deeply odd team-up of Helen Mirren and Ryan Reynolds as, respectively, an elderly Jewish woman trying to reclaim art that was stolen by Nazis in WWII, and a family friend who is a lawyer and is helping her. The core friendship between the two of them is very sweet, although it's very weird seeing Ryan Reynolds in a dramatic role, made even weirder because every now and then he slips into campy Ryan Reynolds mode, which is extremely tonally jarring in a movie about the Holocaust. Tatiana Maslany plays a surprisingly convincing young Helen Mirren. It feels Very American in some ways (e.g. everyone speaking English in most of the Austria scenes, though they do have subtitled flashbacks), but I liked it.

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Is there another way to order the watch of the filmography of your crush???
He's so beautiful in that. I need to watch it...eventually.
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He's done a lot of movies and I'm sure some are good and some are bad, but honestly, it's never him that make them bad (and yes OK I am biased by his face, but seriously, the best movie I watched this year was undoubtedly Good Bye, Lenin!)
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What?
Woman in Gold (2015) appears to score quite highly on the Daniel Brühl Hotness Scale (exhibit A) and he is indeed very hot in this movie, and also very adorable, as his character is extremely sweet, although sadly not in it very much.
I am glad he delivers for his screentime.
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Don't judge! Some people can be well comforted by their cars! See Transformers et al!
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What?
There is AT LEAST one episode where the car gets wrecked and it's all very angsty and whether or not they can rebuild the car's memory module is a Very Big Deal. Basically the 1980s talking-car-show version of the obligatory "someone's in a coma" episode.
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That's delightful.
(I have never seen Knight Rider: I actually did make it through the '80's without encountering the show and discovered its existence years later in the filmography of William Daniels.)
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Meanwhile, another friend of hers who was present that afternoon in the Schönberg garden also asked me whether I had seen the movie yet, and when I said no, not yet, he remarked: "It's all very well, but they cast Ryan Reynolds as Randy. I mean, you've met Randy, right?" I said yes, I had met Randy. "Randy does not look like Ryan Reynolds!" he continued, snorting.
I saw the film at last on my flight back to Germany, and I thought it was well made, though yes, very American, not least because the roles and amount of screen time of Daniel Brühl's character and Ryan Reynold's character should have been switched in terms of rl - Hubertus Czernin didn't have to accost Maria and her US lawyer at the airport, he had alredy written to her and been contact with her about the case long before Randy Schönberg came on board. It was Czernin who found the relevant documents (there was no dramatic break into the archive by Maria and Randy), and who informed the heirs of Ferdinand Bloch-Bauer, including Maria, in the first place of how Austria had gotten into the possession of those five paintings. But the film's dynamics demanded the other main character to be American, alas for us and Daniel Brühl. :)
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This is a valid reaction; I spent the entire movie wanting to pet him. He is very pettable in this. And it is genuinely really enjoyable!
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I wasn't remembering the evil twin thing until I saw this and my brain shouted, "KATT!"—which is sadly wrong, because I just went to verify and found that it is instead KARR, but I am amazed that my brain came up with anything. And, frankly, horrified.
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Minds are funny things, or at least mine is!
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This is the most relatable sentence of them all.
(Laughs forever)
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(Also, I have been known to have a thing for computer/androids in the past!)
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I had such a crush on KITT. Omg.
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... I'm pretty sure the show dispensed with even that level of emotional and physical realism afterwards, lol.
KITT was the best. I used to draw tiny little comics about him.
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