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I'm reading Faro's Daughter
I went through a Heyer phase several years ago and sort of stalled out on it (I find there's an extremely steep diminishing-returns curve on her books - I love them in direct inverse proportion to how many of them I've read lately, starting off at love and sliding very fast into "I feel like I've read the same book three times in a row and it's rapidly losing its appeal") but anyway, I stopped before I ran out of books, so I've had Faro's Daughter hanging around in Mt. TBR ever since, and finally decided to read it. This book is so, so hilarious and adorable. It might be giving The Foundling some competition for Favorite Heyer Ever.
I got to the point where things have escalated to the heroine having her love interest kidnapped and locked in the cellar and then doesn't know exactly what to do with him, while there's an entire gambling establishment upstairs full of his family, her family, her erstwhile fiancé - basically all the people who really, really need to NOT know he's down here - and meanwhile he refuses to even entertain the idea of just allowing her to let him out because that would mean LOSING. I keep having to put the book down to laugh. Heyer's deadpan narration is so great.
(For context, at this point he's tied to "a Windsor chair thoughtfully placed there by Miss Grantham," while she alternates between threatening him and trying to make up for how guilty she feels over the whole thing.)
I love them.
This book is built entirely on ridiculous misunderstandings and characters failing to tell each other the whole truth for reasons, and yet it's put together in such a way that it's irresistible.
I got to the point where things have escalated to the heroine having her love interest kidnapped and locked in the cellar and then doesn't know exactly what to do with him, while there's an entire gambling establishment upstairs full of his family, her family, her erstwhile fiancé - basically all the people who really, really need to NOT know he's down here - and meanwhile he refuses to even entertain the idea of just allowing her to let him out because that would mean LOSING. I keep having to put the book down to laugh. Heyer's deadpan narration is so great.
(For context, at this point he's tied to "a Windsor chair thoughtfully placed there by Miss Grantham," while she alternates between threatening him and trying to make up for how guilty she feels over the whole thing.)
"Will you have some more wine, sir?" asked Deborah, apparently conscious of her duties as his hostess.
"No," said Ravenscar baldly.
"You are not very polite!" she said.
"I do not feel very polite. If you care to untie my ankles, however, I will engage to offer you my chair."
I love them.
This book is built entirely on ridiculous misunderstandings and characters failing to tell each other the whole truth for reasons, and yet it's put together in such a way that it's irresistible.

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One vacation several years back I read in a row The Hanging Tree by Aaranovich and then The Masqueraders by Heyer. It was the right order:), beacause first Ben told me all about Tyburn Tree and then I had main Heyer characters fearing it, and I understood them much better :).
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My very favourite is probably The Unknown Ajax, not so much for the romance, but because I love Hugo playing his relatives, and the set-piece scene at the end is a work of genius.
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(Honestly, as noted in a comment above, the hero is kind of a jerk ... but he also does end up willingly allowing himself to be saddled with a family of in-laws that are going to make him pay ENDLESSLY. The extent to which Deb's ne'er-do-well family of criminals and weirdos just get to go on being criminals and weirdos was very gratifying for me and also unexpected; I was expecting some reforming to take place but in fact there was not a single bit of reforming in sight, even to the extent that I'm not entirely sure they aren't just going to keep running an underground casino except now with Deb's rich love interest to bankroll it.)
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But I absolutely loved Devil's Cub. I am super weak to the arranged marriage trope!
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