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December posting meme: Agent Carter season 3
Well, obviously there's what I wanted out of a season 3, and what we realistically were likely to get ...
Season 3 would have almost certainly had to do with Peggy's brother (M. Carter) and the mysterious key. It was my hope, back when we still thought season 3 was a possibility (*sob*) that it would've been more espionage-focused, with a broader, more international scope. If the main season 3 arc plot involved Peggy looking for her brother, it would have lent itself very well to a more globetrotting theme for the season, possibly relocating to London entirely (or a film set masquerading as London, anyway), or having Peggy go back to England and to continental Europe to run down clues.
I also expected that season 3 would have moved closer to the founding of SHIELD, with Peggy ending up even more out of step with the government bureaucracy she works for. In the first season, Peggy was basically a free agent with few to no allies, working against everyone in the SSR, even at odds with Jarvis and Howard for part of the season. In the second season she'd picked up some friends, so instead of Peggy as a lone wolf vs. SSR, it was Peggy, Daniel, Jarvis, etc. vs. the SSR bureaucracy and Jack. There was some friction within Team Peggy, but nothing like season one. So season one was Peggy vs. the SSR, and season two was Peggy + her friends at the SSR vs. the shadowy conspiracy controlling the SSR. So, in the third season, I was hoping for Peggy + the SSR (now almost entirely on her side) vs. the entire government -- with Jack as an ally, of course (very much not dead, thanks) and the entire SSR, or what was left of it, coming into conflict with various governmental elements stirred up in season two, as well as whatever foreign agency was responsible for whatever happened to Michael. And basically all of this would've set up Peggy breaking totally from the government and forming a freelance organization along with her SSR allies, which would have happened in season 4 or 5.
So yeah, Peggy being a globetrotting spy, looking for her brother with the help of her friends, and possibly ending up a fugitive from the government for a little while, was what I was hoping for in the Season That Never Was.

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My big problem with this is that she can't/couldn't have done that in any way that makes the MCU still remotely like our world. I mean, for all it's supposedly international, SHIELD comes across as US based. It is able to have its central headquarters in the US capital. It can operate on US soil. Even if we assume Howard initially funded the whole enterprise on his lonesome before it expanded, there's no way they'd have gotten permission for something like this in 1950s America without submitting to some (US) government control. Licensing an armed spy agency on US soil at the height of the Cold War was going to be an incredible hard sell anyway, but no way Peggy could have done that if she was seen as a rogue agent or likely to turn against the (US) government at any point.
It amounts to a basic problem between two fantasies the MCU both wanted to sell: on the one hand, Peggy as the independent heroine marching to her own drum, on the other, Peggy as the leader of the cool spy agency with all the fancy toys. If she was the later, she can't always have been the former. And I think that's why Agent Carter held off the foundation of SHIELD as opposed to the five minute one shot which ends Howard declaring it, so to speak. They knew they'd have to show Peggy as part of the system, and not in a "lowly keg" but as a "major player and carrier of the system" way, and in a day and age where ANY system is reviled (not without reason often, but still) and the only acceptable heroism is that of the lone rogue, they didn't want to go there.
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And personally, I would have loved seeing Peggy eventually becoming part of the system, seeing what it might have done to her. But I understand that's a story many wouldn't find compelling.
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Basically, I'd let Peggy end up as not unsimilar to Judi Dench's version of M in the Bond movies, or, to change spy fantasies, to a Le Carré type of spy leader. Still concerned for the saving of the day and world foremost, but also capable of sacrificing people for her goals, and most definitely a part of the system.
BTW, the way Marvel wanted to have their cake and eat it with Peggy reminds me a bit of how the BBC at times gave the impression of wanting to do the same with Torchwood in general and Jack in particular. On the one hand, shady agency, shiny toys; on the other, but we're rebels! Rogues! Not part of the system! Though of course Torchwood did it a bit better in that Jack and TW were part of the system for a century, and Children of Earth found a credible within the spying genre reason to make them outlaws.
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Agreed about Torchwood, too, mostly. They didn't shy away from having Jack do pretty awful things, even before CoE, so it never actually felt like they were protecting their immaculate hero. Still, the "rebel" thing is something I'm growing more uncomfortable with the older I get.
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Another obvious choice for one of the five instances would be Peggy hiring Armin Zola for SHIELD. Now I think if the show had ever touched that subject, they would have tried to keep Peggy untainted and somehow created a situation where she's ordered to (either by the US government, which again would point out SHIELD is NOT an independent agency, or by the international council Fury later reports to, which, ditto), or someone else does it (Howard?) and for some reasons she can't go against it. (Because it's not like she's the head of the agency, oh, wait.) Which to me would be the cowardly narrative choice. I mean, clearly they did the whole Zola thing as a homage to Operation Paperclip. And "grab your German scientist" - though Zola would insist he's Swiss - was something the British, the US and of course the Soviet Union all did. So showing Peggy doing the equivalent of the NASA hiring Werner von Braun for exactly those reasons, and like her rl equivalents in the full knowledge of what the man had done (well, minus the Hydra spreading part) to me would be far more interesting than Round X of "Peggy versus Evil White Man/Woman Of Evil".
And as indicated in my story about Peggy and Joseph Manfredi at Howard's funeral, I'd write her children not as adoring fans, but as 60s/70s hippies who are convinced Mum (and Dad) is/are the establishment and thus co-responsible for, say, the Vietnam war. Her son would not be impressed by Peggy's status shielding (ha!) him from the draft, whereas Peggy would not be impressed by him calling soldiers murderers, and so forth.
You see, I have a headcanon about Peggy that's in many ways the opposite of fanon...
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Also when she & Howard & Phillips did start SHIELD, it wasn't going to be a major organization right off the bat. It's grown into what it is in MCU over the course of 70 years, no way it was that powerful in the 1950s. I can easily see Peggy convincing people in the government to fund/allow her "investigative agency" that hunts for "commies" back during the Cold War, and then using that agency to hire people she trusts and direct them to causes she wants investigated. There's absolutely no conflict in 26-year-old Peggy trying to do good on a smaller scope vs who she becomes as a Director of SHIELD in the later years.
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This, so much. I agree with you about the basic issue, and I've never been fond of it, but RL has made it particularly grating right now.
Zola and the MCU version of Operation Paperclip is the obvious thing, yes! I gave up looking for fic that honestly dealt with that without either whitewashing or vilifying Peggy ages ago, but I still really want to read it.
So showing Peggy doing the equivalent of the NASA hiring Werner von Braun for exactly those reasons, and like her rl equivalents in the full knowledge of what the man had done (well, minus the Hydra spreading part) to me would be far more interesting than Round X of "Peggy versus Evil White Man/Woman Of Evil".
Yes! I don't know why stories shy away from such themes so often. (Well, okay, I do know, I just don't get it at a basic level because that kind of thing is narrative catnip for me.)
And I do love "Peggy vs. the system", but the more that basic equation gets complicated, the more I love it.
You see, I have a headcanon about Peggy that's in many ways the opposite of fanon...
Isn't that fun? *sighs*
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