The other Polly Barton-translated book I read recently was Asako Yuzuki's Butter: A Novel of Food and Murder, which I ended up suggesting for my book club on account of intriguing DW posts from several of you.

Butter focuses Rika Machida, a magazine journalist, on the cusp of becoming the first woman in her company to break the glass ceiling and join Big Editorial, who decides that her next big feature is going to be an insider interview with the infamous prisoner Manako Kajii. Kajii is accused of murdering several men that she met on dating sites after seducing them with a fatal combination of sex, personal attention, and French cooking; in the eyes of the public, however, her greatest crime is that she somehow managed all this femme fatale-ing while being Kind Of Fat.

After a tip from her best friend Reiko -- a housewife who quit her own promising career in hopes of starting a family -- Rika, despite having no previous interest in cooking or domesticity, writes to Kajii about getting her recipe for beef stew. This opens the door for a connection that gets very psychologically weird very fast; Kajii, behind bars, tests Rika with various little living-by-proxy challenges -- eat some good butter! go to the best French restaurant in town! eat late night ramen! after having sex! and tell me all about it -- and Rika, fascinated despite herself, allows herself to be manipulated. For the interview, of course. And also because it turns out good butter is really good, and that eating and making rich food for herself instead of working to keep herself boyishly thin (the prince of her all-girl's school! One of the Boys at work!) is changing her relationship to her body, and her gender, and to the way that people perceive her in the world and she perceives them.

This is more or less what I'd understood to be the plot of the book -- a sort of Silence of the Lambs situation, if the crime that Clarice was trying to solve by talking with Hannibal was societal misogyny -- but in fact it's only about half of the story, and societal misogyny is only one of the big crimes under consideration. The other one is loneliness, and so the rest of the book has to do with Rika's other relationships, and the domino-effect changes that Rika's Kajiimania has on the other people in her life. The most significant is with Reiko, which is extremely fraught with lesbian tension ( spoilers I suppose ) But there's also Rika's mother, and her boyfriend, and the older mentor that she has secret intermittent just-lads-together meet-ups with in bars to get hot journalistic tips; all of these relationships are important, and usually ended up in places I didn't expect and that were more interesting than I would have guessed.

Not everything landed for me about this book, but this was one thing it did pretty consistently that I appreciated -- Rika would think about something, and I would go, 'well, that was didactic, you just said your theme out loud,' and then the book and Rika as protagonist would revisit it and have a more complicated and potentially contradictory thought about it, and then we'd go back to it again, and it usually ended up being more interesting than I would have thought the first time around. It's a long book, possibly too long, but it's equally possible I think that it does need that space to hold contradictions in.

It was however quite funny to read this shortly after Taiwan Travelogue -- another book I have not written up and should probably do so soon -- and also shortly after What Did You Eat Yesterday and also seeing a lot of gifsets for She Loves To Cook and She Loves To Eat ... fellas, is it gay to be really into food? signs point to yes!