Korrasami Musician AU ! Asami Sato is a cellist and Korra is her girlfriend that distracts her from practice. I got this idea from an artist on tumblr, denimcatfish. Pretty sure the drawing is old but hey im jumping on the Korrasami bandwagon anyways.
Words: 1128, Chapters: 1/1, Language: English
The same principle behind this leads to this and this.
I told you so. I have been saying and saying that when a society starts pulling down statues, it tends to mushroom, because people get it in their heads they can destroy all the art they dislike. Sure it's tempting. Everybody loves to pull down something they hate and stomp on it. That's very gratifying. But it's a bad idea because it destroys the past and then nobody has nice things for a long time. It also sucks when other people pull down stuff that YOU like just because THEY don't, and there is probably not one piece of art on the planet which is liked by everyone.
Seriously, people, stop doing this shit. Unpopular art can be moved to a place where it won't annoy folks, but destroying it is counter-civilization.
But you guys, there is SO MUCH interesting stuff about early American history that, if it were taught properly, would REALLY change peoples' perspectives on the "brave, gallant, noble" men of the Confederacy. And I'm not talking just the racism stuff, like 90% of them were whiny pissbabies and THAT is why the Civil War even existed in the first place. I shit you not. The modern Conservative Christian persecution complex has NOTHING on the antebellum Southern elite. Sure, a lot of those guys were personally brave in battle. But on a political or moral level, they were ... most five-year-olds are more mature. (I'm simplifying things a lot here and painting with a really broad brush, but it's not inaccurate.)
This meta is going to take as read that slavery=EVIL and that there is no such thing as a "good" slaveowner and that racism is horribly, horribly evil and nothing good can ever come of it and white supremacy twists and mutilates everything good it comes in contact with. You all know that, or you should, and you can find lots of places talking about that with a quick google search. Also, Blacks and poor Whites had vibrant cultures during this time period that I'm going to largely ignore because while all that is awesome, I want you to truly understand ALL the reasons why it's stupid and pathetic to glamorize the Southern elite, which means focusing on them. The South was (and is!) REALLY AWFUL AND SCREWED UP and racism is part of that but not the only part. But we will start a bit by talking about racism, because it's the root of so much other evil.
I'm sure you've heard that "race is a social construct!" Let's look at how that construct got constructed, shall we?
( How Black And White People Came To Be )
( Economic Differences And Political Boondoggles, or, How The South Learns That Temper Tantrums Are A Viable Political tool. )
( The South's Persecution Complex vs. the North's Manifest Destiny )
( Taking Their Marbles And Going Home, Then They'll Be Sorry: Civil War Edition )
( More Delusions Of Grandeur: The Whole Lost Cause Romantic Bullshit )
And I look at this and shake my head at the triumph of propaganda over reality, and also at the fact that ANYBODY, even a racist, could POSSIBLY think that those idiotic inbred delusional cretinous whiny pissbabies were cool or worthy of adoration.
Age: 21, turning 22 next month!
Subscription/Access Policy: Mostly friends only, but I'm willing to add anyone with similar interests!
Main Fandoms: Right now, I'm into Johnny's Entertainment, mainly Hey! Say! JUMP. (Favorite members are Yamada, Daiki, Inoo, and Yuto. ♡)
→ Anime: Noragami, Sword Art Online, Cardcaptor Sakura, MÄR, Kimi no Na Wa, Kuzu no Honkai, The Prince of Tennis, Sukitte Ii Na Yo, etc.
→ Games: League of Legends (I also follow professional players; favorite team is TSM and favorite players are Mata and Hauntzer), Overwatch, Persona 3 + 4 + 5, Animal Crossing, Harvest Moon, Tekken, Dead or Alive, etc.
→ Dramas: Koizora, Hidarime Tantei EYE, Sprout, Hanamizuki, Tantei Gakuen Q, Bloody Monday, etc. I'm also a fan of the Super Sentai Series.
→ Youtube?: I don't watch TV so I watch Youtubers instead, haha. Some favorites right now are DashieGames, ChizPlays, Chadtronic, and Achievement Hunter.
Other Info: My journal is a mix of fandom-related posts and real life rambles. ;w;
"Whenever it’s that level of shocking darkness, I think it gets you in the store. But I also genuinely believe that it’s been a really rough year for everybody, regardless of what political side you’re on. It’s a rough time. People are angry at each other. There’s a lot of divisiveness and terror out there about what’s going to happen, and from all corners. Metal is a story that’s about things that keep me and Greg up. It’s about the ways in which you can find yourself in a story that you didn’t think was possible, and it’s much darker than the one that you thought was inevitable." - Scott Snyder
( Read more... )
In spring, the strappy green leaves
emerge from the fertile earth
but bring no blossoms.
The leaves turn yellow,
then brown, and fade away.
In summer, surprise!
A sudden resurrection
out of the dry bare ground
raises flower stalks like magic,
pink lilies spreading themselves
in the sun like naked ladies.
* * *
Lycoris is a type of lily with many different names including resurrection lily, surprise lily, and naked ladies. Both my parents and I have these, and they're beautiful flowers.
The book is not prescriptive at all- it's not p'sak, an authoritative ruling on the questions it asks. It's a review of the halachic questions involved in a)Can women lead a prayer service? and b)Can women be counted as part of a minyan prayer quorum according to Orthodox Jewish law? It's not a simple question, and Tucker and Rosenberg write carefully to force the reader to think through all of the implications of the question.
In particular, Rabbis Tucker and Rosenberg take care to make sure halachic decisors do not reach the right end (which for them is clearly a reformulation of Jewish ritual practice that creates more space for women to participate equally) for the wrong reasons. For example, some prominent halachic decisors offer rulings that appear sympathetic to the egalitarian position, but which emerge from sexist understandings of a woman's capabilities and role in the community. One might be tempted to say "Oh, the Ran says this is okay, he's a Torah gadol, we have support to do what we're doing," but if holding by the Ran's position means affirming a sexist idea about women, that may undermine the egalitarian effort altogether.
Or a leniency on letting women participate may implicate other unintended consequences we wish to avoid. For example, such a leniency may exist in a statement about the participation of both women and minors in a service- we may wish to let women participate but continue to limit the participation of minors, and using this particular leniency would not allow us to do this.
A third set of such cautions applies because many of the restrictions Rabbinically applied on female participation in prayer services are in the name of kavod tzibbur- the honor of the synagogue community. This is a general sense the medieval Rabbis had that allowing women to lead services diminished the honor of the synagogue for some reason- there are various post-hoc theories about what the reason is, whether it's because it makes the men of the congregation seem uneducated, or because women are seen as inherently sexualized and impure, or something else. There is also a long body of Rabbinic literature that says that a community can waive a restriction about kavod tzibbur because of some other conflicting communal need... i.e. if a community only has nine men, some Rabbis say that they can waive kavod tzibbur in order to fulfill the minyan with a woman as the tenth. But, point out Rabbis Tucker and Rosenberg, waiving kavod tzibbur involves acknowledging the dishonor inherent in the act you're allowing. Thus to an egalitarian it's much preferable, though halachically more difficult, to establish that the act involves no breach of kavod tzibbur at all rather than waiving concern for kavod tzibbur. They offer some suggestions toward this end, arguing for example that women in the secular modern world are expected to participate equally in social institutions so that actually excluding them is a greater desecration of kavod tzibbur. This answer is not responsive to the medieval commentators who seem to think that the status of women as violating kavod tzibbur is not dependent on community context but is inherent in the shape of God's universe, but this position is clearly not uncontested.
I think I emerge from the book no more certain how the halacha should play out, but more certain that Orthodoxy needs to work harder to involve women in ritual. And I appreciated the way Rabbis Tucker and Rosenberg challenged me to think about the halacha in new ways and in deeper, subtler contexts. It's an unquestionably brilliant and important work.
At some point, you have to risk showing your heart.
Words: 734, Chapters: 1/1, Language: English
Series: Part 1 of Points on the Journey
Neither heat nor ice help, but Tylenol does help a bit. I suspect that being low on sleep isn't helping at all as I tend to hurt more when I'm tired.
This is pinpoint pain, so I'm assuming tendinitis.